IRISH DRESSER

A fine example of Irish vernacular furniture, this late 18th Century painted dresser and rack is distinguished by its desirable, diminutive scale. Crafted with a wonderfully primitive aesthetic. The lower section comprises a single enclosed cupboard door fitted with period iron strap hinges, with the entire piece retaining rich, authentic traces of its original old red paint. A rare and highly decorative survival of Irish country folk art furniture, perfectly proportioned for modern or historic interiors alike. Condition: Original paint throughout, with some later historic timber replacements which have been well-painted and stained to match the original. Historic woodworm present as expected, this doesn’t affect the integrity of the piece.

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SOLOMONIC COLUMN

An impressive 18th Century large-scale carved oak pedestal column. The main column features a dramatic Solomonic twist, intricately carved in high relief with scrolling fruiting vines, grape clusters, and detailed foliage. It is crowned with an acanthus leaf-carved capital beneath a shaped top section, resting upon a substantial, stepped plinth base. Displaying a rich, dark patina throughout, this imposing piece offers a good height and presence, making it ideal for displaying large bronzes, busts, decorative ceramics, or functioning as a standalone statement piece. Condition: Very good antique condition showing light historic marks, wear, and surface variation appropriate for its age. The top capital plate and the stepped base section are later additions, creating a solid and stable decorative pedestal. 

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STICK BACK

A rare 19th century folk art primitive child's stick back armchair, retaining an original distressed green paint finish. Crafted with hand-hewn elements, this piece features a high-back design capped by a shaped, peaked cresting rail resting on five vertical spindles. The raked armrests feature scroll terminal detailing, supported by additional turned side spindles. A thick, single-slab solid wooden seat sits mounted on four splayed tenoned legs. Condition: Structurally sound, small play in some of the joints but overall very sturdy. Old inactive worm that does not affect the structure of the piece. Losses to paint finish consistent with age and rustic folk origins. 

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HARVEST TABLE

A large mid-19th Century English pine country kitchen harvest table. Originally from a Suffolk farmhouse, this impressive piece was made to serve as a rustic workstation for preparing food and making bread, as well as hosting large seasonal feasts. Built for practicality, a shallow drawer is situated at each end—ideal for storing utensils or linens—with each drawer retaining an ornate antique cast-iron cup handle. Condition: Structurally sound, sturdy, and ready for daily use. The wood shows charming, age-appropriate wear, marks, and rich patina from decades of authentic farmhouse use. Includes evidence of minor historic, non-active woodworm that has been fully treated for peace of mind. 

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CRICKET TABLE

A handsome 19th century painted pine cricket table. Sourced from a South Yorkshire convent, this has wonderful ecclesiastical provenance. A sturdy and well-proportioned pieced, this classic piece features a thick three-plank pine top finished in a rich, dark cherry tone that showcases deep grain texture and a warm natural patina. The circular top is raised over a traditional triangular apron frame and supported by three finely turned legs finished in a dark paint.  Constructed for daily use within the convent, these classic three-legged cricket tables are naturally stable on uneven flagstones. Its honest wear and careful preservation over more than a century give it a wonderful sense of history. A highly collectible piece of English vernacular furniture. Its generous size makes it a versatile choice for a dining nook, side table, or lamp table in both classic and contemporary interiors. Condition: Excellent, solid antique condition with no rot or woodworm. Shows honest surface wear and light distressing. Slight natural warping to a small section of the top consistent with age, remaining level and functional throughout.

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LINEN PRESS

A 19th Century English country house mahogany and pine linen press of excellent quality. The press sits atop an integrated two-drawer chest and retains its original maker's stamp for Johnston's, 290 Oxford Street, London. A remarkably clean, un-inked example, suggesting that this has been used as a linen-press rather than book press. Designed for the grand country house household to press table linens and napkins, this piece combines historical utility with elegant proportions. The top structure features a large, smoothly functioning central wooden screw mechanism surmounted by a beautifully turned acorn finial and double crossbar handle. The press is mounted on a two-drawer base fitted with turned wooden knobs, supported by straight, square-tapered legs. Opening the interior drawer reveals the crisp original retailer/maker stamp: "FROM JOHNSTON'S 290 OXFORD ST LONDON". Condition: Good original antique condition with age-related character, surface wear, and a well-matured patina. Structurally sound, stable, and fully functional.

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DAYBED

An exceptionally charming 19th-century French wrought iron garden daybed. Featuring an elegantly curved, ergonomic silhouette, the piece is defined by its intricate scrollwork frame, and twisted iron detailing. The bed base is constructed from flexible iron straps supported by tension springs to offer comfortable suspension.  The ironwork exhibits a wonderful, naturally aged rust patina accrued over decades, giving it immense character. It comes complete with a bespoke tufted, soft-hued striped fabric cushion in muted tones. Handed stuffed with carded white lambswool, to add comfort and usability to a wonderful, interesting antique sun lounger.

Condition: Offered in strong, structurally sound antique condition. The iron frame retains a natural rust patina consistent with age and outdoor exposure.

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FIREPLACE SURROUND

A striking late 19th-century Victorian pine fireplace surround of handsome architectural form. Crafted with fine details, the frieze features a central tablet depicting a horse-drawn chariot scene guided by cherubs, bordered by delicate scrolling swags and classic urn motifs. The mantel frame is flanked on either side by impressive Corinthian column supports, complete with acanthus leaf capitals, resting on substantial block feet. Its stripped pine timber finish showcases a rich natural grain alongside fine craquelure detail on the applied decorative elements.

Condition: In good antique condition with age-appropriate wear throughout. Solid and sturdy overall, with light historic losses and wear to the timber along the rear edges as photographed. There have been cuts to the bottom of the fireplace where it was placed around a skirting board. Ready to serve as a stunning focal point.

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TURKMEN CUSHION

An antique Turkmen chuval cushion, repurposed from a hand-woven tribal cargo bag (chuval) originally crafted by nomadic Turkmen weavers of Central Asia.

The face of the cushion features the iconic, highly structured geometric gul (tribal crest) medallions. These are intricately knotted in a classic colour palette of deep crimson, rich madder reds, jet black, and warm ivory, with subtle forest green accents. The top seam is bound with a heavy, hand-braided dark cord, preserving the utilitarian ruggedness of its original tribal form.

In nomadic life, chuvals were prized storage bags hung inside yurts to hold clothing and household treasures. The generous, wide proportions of this piece reflect that heritage perfectly, making it an incredibly impressive, large-scale bolster or floor cushion.

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LARGE POT

Very large, spectacular looking 20th century vintage pot. The pot has a stable crack which likely happened during the firing process.

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TABLE BASES

A highly desirable pair of late 19th-century Victorian cast iron conservatory table bases. This pair features an authenticated Victorian Design Registration Diamond (kite mark)—the historical stamp used to patent foundries ironwork and protect it from 19th-century imitators. Complete with original mounting holes along the top flanges, they are ready to support a bespoke marble, slate, or reclaimed timber top. Condition: Structurally sound, incredibly solid, and heavy. No cracks or damage to the ironwork. The surfaces exhibit oxidation, rust, and remnants of old paint.

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KHORJIN CUSHION

Jaf Kurdish Khorjin Cushion. This cushion has been crafted in-house from a late 19th-century Northwest Persian khorjin (saddlebag) face. The front features a textbook masterclass in the weaving traditions of the Jaf Kurd tribe: a rhythmic, polychrome diamond lattice field. The palette is a testament to antique natural dyes, displaying rich madder red, deep indigo blue, oxidized forest green, and warm ivory, capped by a charming checkerboard-style kilim selvedge preserved along the top edge. It has been finished with a high-quality, complementary new backing and generously stuffed with a luxurious, heavy wool interior insert.  Due to the bespoke manufacture of the piece, the cushion cover is not removable or washable. Dab clean recommended, with a warm rung out cloth.

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