TURKMEN CUSHION

An antique Turkmen chuval cushion, repurposed from a hand-woven tribal cargo bag (chuval) originally crafted by nomadic Turkmen weavers of Central Asia.

The face of the cushion features the iconic, highly structured geometric gul (tribal crest) medallions. These are intricately knotted in a classic colour palette of deep crimson, rich madder reds, jet black, and warm ivory, with subtle forest green accents. The top seam is bound with a heavy, hand-braided dark cord, preserving the utilitarian ruggedness of its original tribal form.

In nomadic life, chuvals were prized storage bags hung inside yurts to hold clothing and household treasures. The generous, wide proportions of this piece reflect that heritage perfectly, making it an incredibly impressive, large-scale bolster or floor cushion.

Add to cart

LARGE POT

Very large, spectacular looking 20th century vintage pot. The pot has a stable crack which likely happened during the firing process.

Add to cart

TABLE BASES

A highly desirable pair of late 19th-century Victorian cast iron conservatory table bases. This pair features an authenticated Victorian Design Registration Diamond (kite mark)—the historical stamp used to patent foundries ironwork and protect it from 19th-century imitators. Complete with original mounting holes along the top flanges, they are ready to support a bespoke marble, slate, or reclaimed timber top. Condition: Structurally sound, incredibly solid, and heavy. No cracks or damage to the ironwork. The surfaces exhibit oxidation, rust, and remnants of old paint.

Add to cart

KHORJIN CUSHION

Jaf Kurdish Khorjin Cushion. This cushion has been crafted in-house from a late 19th-century Northwest Persian khorjin (saddlebag) face. The front features a textbook masterclass in the weaving traditions of the Jaf Kurd tribe: a rhythmic, polychrome diamond lattice field. The palette is a testament to antique natural dyes, displaying rich madder red, deep indigo blue, oxidized forest green, and warm ivory, capped by a charming checkerboard-style kilim selvedge preserved along the top edge. It has been finished with a high-quality, complementary new backing and generously stuffed with a luxurious, heavy wool interior insert.  Due to the bespoke manufacture of the piece, the cushion cover is not removable or washable. Dab clean recommended, with a warm rung out cloth.

Add to cart

CHUVAL CUSHION

Large Turkmen Chuval Cushion.

This impressive, oversized statement bolster cushion has been newly crafted in-house from an authentic antique Central Asian textile. The face was originally a late 19th or early 20th-century Turkmen Chuval (or Juval)—a large, hand-knotted wool storage sack woven by semi-nomadic Tekke or Yomut tribes to secure valuables inside their tents or during camel migrations.

Add to cart

DRAW LEAF

French draw leaf provincial fruitwood farmhouse table. It features a classic draw-leaf mechanism, allowing two extension leaves to slide out from beneath the main top, significantly increasing its surface area for entertaining.   There are visible old wood worm tracks (treated) and various timber patches/repairs, particularly around the breadboard ends and leaf joins. The table is structurally sound, though the extensions show some natural gapping and unevenness typical of early draw-leaf mechanisms. Overall a charming table.

Add to cart

PITH PORTRAITS

A charming and complete set of twelve 19th century Chinese pith paper paintings (historically referred to as "rice paper" paintings). Dating from the late Qing Dynasty (c. 1840–1880), these works were created in the studios of Canton (Guangzhou) specifically for the Western export market. Each miniature leaf is painstakingly hand-painted in gouache, a medium that sits on the surface of the cellular pith to create a luminous, almost three-dimensional effect that remains remarkably bright over a century later. The collection serves as a record of the period, featuring a diverse cast of characters including high-ranking officials, musicians and figures in courtly life. The set is housed in the original Victorian-era cardboard presentation box with a glass lid. The gouache pigments remain exceptionally vivid and saturated. As is characteristic of this fragile, organic medium, there are some natural fractures and peripheral chips to several of the pith sheets (as shown in the photographs), six of the twelve portraits have had repairs to the back . The original box shows typical age-related wear to the paper trim but remains structurally sound and provides excellent provenance.

Add to cart

CAST IRON SCRAPER

 Victorian cast iron boot scraper featuring elegant uprights and a deep, cartouche tray base with a decorative scalloped rim.  

Add to cart

VICTORIAN SCRAPER

Victorian cast iron boot scraper featuring elegant lyre-shaped scrollwork uprights and an ornate gadrooned tray base.  

Add to cart

BOOT SCRAPER

Victorian cast iron boot scraper featuring ornate scrollwork uprights and a distinctive ruffled tray base designed to catch debris.  

Add to cart

VICTORIAN PLANTER

Victorian lead planter which is a quintessential example of a 19th Century English garden ornament. The piece features a beautifully detailed, continuous bas-relief frieze of Putti (cherubs) in various playful poses. The planter is further distinguished by an original perched lead bird fixed to the rolled rim—a charming detail typical of the Victorian period's fascination with bringing nature closer to the home.  There are some holes to the bottom of the planter, some of which look to be purposeful and make it perfect for use as a planter. These could be repaired to reinstate the piece as a bird bath. Whether used as a low-profile trough for planting or as a traditional bird bath, this piece offers a heavy, durable, and timeless focal point for any courtyard or garden border.

Add to cart

LEAD PLANTER

A rare and heavy-gauge 18th Century Georgian lead planter. This period piece features a classic single-arched rim and high-relief casting, characteristic of the fine English leadwork found in significant country estates. Each face is decorated with a central Neoclassical Urn, flanked by scrolling acanthus flourishes and a basal fleur-de-lis. Hand-cast in thick lead with a refined, single-arched silhouette. Includes drainage holes to the base, making it perfectly suited for immediate use with topiary or seasonal planting.

Add to cart